A long time ago in a galaxy far, far away... 

Star Wars (1977), (aka Star Wars, Episode IV: A New Hope) is one of the most popular, profitable, entertaining, and successful science fiction/action - adventure/fantasy films of all time. The film, shot mostly on location in Tunisia, Guatemala and Death Valley (California), advanced special-effects technology to a degree unseen before, with computerized and digitally-timed special effects. It ultimately helped to resurrect the financial viability of the science-fiction genre, a category of films that was considered frivolous and unprofitable, and brought the phrase "May the Force be with you" into common usage. It was nominated for seven Academy Awards, including Best Picture, Best Actor (Morgan Freeman), Best Adapted Screenplay, Best Cinematography, Best Editing, Best Original Score, and Best Sound - but it failed to win a single Oscar. And the film's director failed to receive a nomination for himself! In the same year as Forrest Gump, Pulp Fiction, and Speed, they received all of the attention. Only through positive word-of-mouth (following cable TV and broadcast airings, and then video releases) did the film do well - although its original reception at the box-office was lukewarm. The film was the precursor for another inspirational and popular film (and a similar adaptation of a Stephen King story by writer/director Frank Darabont) - The Green Mile (1999).

The superb, three-part gangster saga was inaugurated with this film from Italian-American director Francis Ford Coppola, The Godfather (1972). The first two parts of the lush and grand saga are among the most celebrated, landmark films of all time. Many film reviewers consider the second part equal or superior to the original, although the first part was a tremendous critical and commercial success - and the highest grossing film of its time. This mythic, tragic film contributed to a resurgence in the American film industry, after a decade of competition from cinema abroad. One of the original "Movie Brats" who had not had a hit after seven films, director Coppola collaborated on the epic film's screenplay with Mario Puzo who had written a best-selling novel of the same name about a Mafia dynasty (the Corleones). The Godfather catapulted Francis Ford Coppola to directorial superstardom, and popularized the following euphemistic phrase (of brutal coercion): "I'm gonna make him an offer he can't refuse."The almost three hour, R-rated saga film (for violence and graphic language) won three Oscars: Best Picture, Best Actor (Marlon Brando refused to accept the award) and Best Adapted Screenplay (Mario Puzo and Francis Ford Coppola). The other seven nominations included three for Best Supporting Actor (James Caan, Robert Duvall, and Al Pacino), Best Director, Best Sound, Best Film Editing, and Best Costume Design. 

Gone With The Wind (1939) is often considered the most beloved, enduring and popular film of all time. Sidney Howard's script was derived from Margaret Mitchell's first and only published, best-selling Civil War and Reconstruction Period novel of 1,037 pages that first appeared in 1936, but was mostly written in the late 1920s. Producer David O. Selznick had acquired the film rights to Mitchell's novel in July, 1936 for $50,000 - a record amount at the time to an unknown author for her first novel, causing some to label the film "Selznick's Folly." At the time of the film's release, the fictional book had surpassed 1.5 million copies sold. More records were set when the film was first aired on television in two parts in late 1976, and controversy arose when it was restored and released theatrically in 1998.

E.T. The Extra-Terrestrial (1982) is the immensely popular magical fantasy movie myth. Its estimated budget of $10 million was easily recouped when it became one of the box-office champion films of all time. Steven Spielberg's very personal, heartwarming sci-fi masterpiece (with special effects produced by George Lucas' Industrial Light and Magic Company) was warmly accepted by film audiences for its portrayal of the love between a young, fatherless suburban boy and a lost, benevolent and homesick visitor (presumably an adult) from another planet who is mistakenly left stranded and orphaned on Earth - three million light years from home. The film's themes include discovery, rescue, and escape, much like the Peter Pan myth (included in the film). The John Alvin poster for the film with E.T.'s glowing, heavenly fingertip also presents a religious theme, recalling Michelangelo's 'Creation of Adam' painting on the ceiling of the Sistine Chapel. And the story of death and resurrection displayed parallels with the Biblical story. One of the film's earliest working titles was A Boy's Life.

Schindler's List (1993) is Steven Spielberg's unexpected award-winning masterpiece - a profoundly shocking, unsparing, fact-based, three-hour long epic of the nightmarish Holocaust. [Italian-American catholic Martin Scorsese was originally slated to direct the film, but turned down the chance - claiming the film needed a director of Jewish descent - before turning it over to Spielberg.] Its documentary authenticity vividly re-creates a dark, frightening period during World War II, when Jews in Nazi-occupied Krakow were first dispossessed of their businesses and homes, then placed in ghettos and forced labor camps in Plaszow, and finally resettled in concentration camps for execution. The violence and brutality of their treatment in a series of matter-of-fact (and horrific) incidents is indelibly and brilliantly orchestrated.

The Silence of the Lambs (1991) is one of the most taut, suspenseful, psychological thrillers ever produced. Director Jonathan Demme's superbly-crafted, harrowing film is dark, moody, somber, and truly frightening, yet exhilarating. [Until this A-list film and the director's subsequent opportunity to make more mainstream Hollywood films, Demme was better known as a maverick film director for B-films such as Caged Heat (1964), Melvin and Howard (1980), Something Wild (1986), Swimming to Cambodia (1987), and Married to the Mob (1988).] Ted Tally's screenplay was based on Thomas Harris's 1988 best-selling novel of the same name. An earlier stylish and slick film thriller, also based on a Thomas Harris novel titled Red Dragon published in 1981, was Michael Mann's Manhunter (1986), (aka Red Dragon: The Pursuit of Hannibal Lecter) - it was the first film to represent psycho-killer Dr. Lecter (played by Brian Cox). [Manhunter probably inspired the short-lived (8 episodes) NBC-TV series titled Unsub (1989) with David Soul - an ahead-of-its-time 'forensic or crime scene investigation' show that likewise led to this 1991 film, and also to the police procedural TV show Profiler (first appearing on NBC in 1996) and to the immensely popular CBS-TV show CSI (and its spinoffs).]

Raiders of the Lost Ark (1981) is the spectacular, cliff-hanger, breathlessly-paced, non-stop action/adventure film of the early 1980s. It was an immensely successful summer box-office hit. The film was conceived by producer George Lucas and directed by Steven Spielberg. [Significantly, this was the first full collaboration between the two legendary American film-makers.] Screen-credited Lawrence Kasdan's script for the film was based on a story by collaborators George Lucas and Philip Kaufman.Harrison Ford, who had starred in Lucas' Star Wars (1977), took the role of the globe-trotting, adventurous, comic-book hero/academic archaeologist with a leather jacket and bullwhip when Tom Selleck declined the role and chose instead to pursue his TV career as Magnum, P.I. (Tim Matheson, Nick Nolte, and Peter Coyote were also considered for the role, and Sean Young was tested for the role ultimately accepted by Karen Allen. Selleck later appeared in a Raiders knock-off film titled High Road to China (1983).)

2001: A Space Odyssey (1968) is a landmark, science fiction classic - and probably the best science-fiction film of all time about exploration of the unknown. It was released, coincidentally, at the height of the space race between the USSR and the US. It appeared at the same time as NASA's exploratory Apollo Project with manned Earth orbiting missions - a prelude to orbiting and landing on the Moon with Apollo 11 on July 20, 1969. And it prophetically showed the enduring influence that computers would have in our daily lives.Director Stanley Kubrick's work is a profound, visionary and astounding film (a mysterious Rorschach film-blot) and a tremendous visual experience. This epic film contained more spectacular imagery (about what space looked like) and special effects than verbal dialogue. Viewers are left to experience the non-verbal, mystical vastness of the film, and to subjectively reach into their own subconscious and into the film's pure imagery to speculate about its meaning. Many consider the masterpiece bewildering, boring, slow-moving or annoying, but are still inspired by its story of how man is dwarfed by technology and space.

The Shawshank Redemption (1994) is an impressive, engrossing piece of film-making from director/screenwriter Frank Darabont who adapted horror master Stephen King's 1982 novella Rita Hayworth and Shawshank Redemption (first published in Different Seasons) for his first feature film. The inspirational, life-affirming and uplifting, old-fashioned style Hollywood product (resembling The Birdman of Alcatraz (1962) and Cool Hand Luke (1967)) is a combination prison/dramatic film and character study. The popular film is abetted by the golden cinematography of Roger Deakins, a touching score by Thomas Newman, and a third imposing character - Maine's oppressive Shawshank State Prison (actually the transformed, condemned Mansfield Ohio Correctional Institution or State Reformatory). Posters for the film illustrate the liberating, redemptive power of hope and the religious themes of freedom and resurrection, with the words: "Fear can hold you prisoner, Hope can set you free." Darabont's film is a patiently-told, allegorical tale (unfolding like a long-played, sometimes painstaking, persistent chess game) of friendship, patience, hope, survival, emancipation, and ultimate redemption and salvation by the time of the film's finale.

The classic and much-loved romantic melodrama Casablanca (1942), always found on top-ten lists of films, is a masterful tale of two men vying for the same woman's love in a love triangle. The story of political and romantic espionage is set against the backdrop of the wartime conflict between democracy and totalitarianism. [The date given for the film is often given as either 1942 and 1943. That is because its limited premiere was in 1942, but the film did not play nationally, or in Los Angeles, until 1943.]With rich and smoky atmosphere, anti-Nazi propaganda, Max Steiner's superb musical score, suspense, unforgettable characters (supposedly 34 nationalities are included in its cast) and memorable lines of dialogue (e.g., "Here's lookin' at you, kid," and the inaccurately-quoted "Play it again, Sam"), it is one of the most popular, magical (and flawless) films of all time - focused on the themes of lost love, honor and duty, self-sacrifice and romance within a chaotic world.

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